The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 Doblaje Español
The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 Doblaje Español- subtitrat -BRRip-WEB-DL- Google Play - película -año- inglés .jpg
The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 Doblaje Español
Equipo De Filmación
Coordinación Departamento de arte:
Amira Santino
Coordinador de acrobacias:
Payet Malaki
Diseño de guión:
Kalilou Polin
Imágenes : Dannon Kala
Co-Produzent : Terry Adele
Productor ejecutivo : Trevor Amita
Director de arte supervisor:
Genevie Hanzala
Produce|Producir : Breanna Atrina
Actriz : LaGarde Maxxie
6.3
3527
Título de la película | The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 Doblaje Español |
Momento | 196 minutos |
Lanzamiento | 2010-08-13 |
valor | MPG 1080p DVD |
Categoría | Adventure, Family, Fantasy |
lenguaje | English |
nombre de reparto | Nunez V. Mouy, Infotainment ChinaNahim T. Rafaël, Gunner I. Sohane |
[HD] The Chronicles of Narnia: The Voyage of the Dawn Treader 2010 Doblaje Español
In the immortal words of Col. Kurtz, "The horror...the horror." Marlon Brando wasn't speaking of this film, of course, but rather the horrors of the Vietnam War. The sentiment remains applicable.
When I write reviews, I do try to give at least a modicum of context, be it a history of the film itself, predecessors to its place in cinema history, or my general feelings on the type of film. In this case, I've just referenced Francis Ford Coppola's classic take on Joseph Conrad's "Heart of Darkness," Apocalypse Now. What does that have to do with Dawn Treader? Nothing, and I couldn't be happier. Why? Because it's distracted my mind with thoughts of a far, far better film. Allow me my few moments of happiness before I have to rifle through the dark filing cabinet of my mind to marshal my thoughts on this atrocity.\
What went so wrong here, you may ask? We'll start with the history of this franchise. I do not have the highest opinion of this series. We started out with the most famous of C. S. Lewis' Narnia cycle, The Lion, The Witch, and the Wardrobe. I don't know...perhaps if we hadn't been in the middle of such a fantasy film renaissance, I would have found it more palatable. Instead, coming on the heels of Peter Jackson's generation-defining Lord of the Rings trilogy, and the high class and quality of the Harry Potter franchise, that weak take on a book series that didn't thrill me as a child struck me as a cheap, childish appetizer compared to the magnificent feasts audiences had already been served, their stories facile, their acting (aside from a typically great Tilda Swinton) either poor or phoned-in (Paging Mr. Neeson, your paycheck is waiting for you). SHREK co-director Andrew Adamson was the helmer of both Wardrobe and Caspian, and I had hoped those film's failings were due perhaps to his inexperience as a director of live-action. The first film of course wore its Christian allegory on its sleeve (Lewis, for all his writings, never managed to find the definition of "subtle"), and it found favor with the churchgoing crowd, whose turnout afforded it a huge box office windfall. The second film was more of a straight actioner (in the vein of Star Wars Episode I, which is to say the supposed action was mired in a swamp of facile and achingly dull political machinations), and didn't find purchase with the same demographic, and box office returns were disappointingly low. Disney, who had financed the films, saw the writing on the wall, and dropped the series. That should have been the end of it.
Until 20th Century Fox stepped in. Now, let's remember: Fox doesn't have the best track record with adapting beloved fantasy series into films (a moment of silence for the tragedies that were The Dark is Rising and Eregon, please). Hiring Michael Apted as the director seemed to be bucking the trend of shoveling out crap. Apted isn't really known as an action, fantasy, or epic film director, but he showed promise with the last Pierce Brosnan/James Bond film, The World is Not Enough (I'll not blame him for Denise Richards'...nuclear physicist...sigh). Still, director in place, 20th Century Fox and Walden Media cobbled together another Narnia adventure, and the results were predictably terrible.
Honestly, I wish I hadn't expected a poor film going in. Because this film not only met but exceeded my expectations of terrible, and it's not because I was pre-judging it. It's because it was simply that bad. The plot is nonsensical, randomly shunting characters from one loosely-connected vignette to the next, with hokey dialogue and dire predictions of eeeevil standing in for actual menace or intrigue. It's a shaggy dog road trip story, waterlogged on a boat, and I found myself half an hour in wishing desperately that the characters would all get scurvy and die.
The plot's so thinly-sketched that I may as well not even try to recount it here, but it has something to do with two of the kids from previous films being once again pulled into Narnia at absolute random, with no thematic or plot reason for any of the nonsense in the first place. Once there, our cast is rounded out with their exceptionally annoying cousin, and despite no one knowing quite what's going on, they stumble upon the titular character of the second film, Prince Caspian, and join him on his completely random quest to recover seven old friends of his long-dead father who disappeared for some reason, and no one knows why. So they fight an island made of evil. Good wins, evil is defeated, the end. Please, let it be the end.
Listen: I love fantasy. I love science fiction, I love horror, I love all of the outré genres, the fantastic, the unreal. It fascinates me, and I love wrapping myself in the trappings of the genre like a favored blanket, letting their comforting warmth wash over me in waves of escapism and nostalgia. But this half-assed bunch of hokum had me rolling my eyes, with the stilted dialogue and the hastily-sketched characters and the nonsensical plot and the ARGH it's too much.
The icing on this crap cake was the ham-handed, in-no-uncertain-terms Christian allegory with which the film beat the audience over the head with all the grace, power, and strength of an industrial-size sledgehammer. Yes, the evil was SIN. And Aslan is JESUS. Who exists as a lion in an alternate universe or something, apparently. Who pulls children into this alternate universe at random for...no apparent reason whatsoever (the film explicitly states that it's "to know Him (Aslan i.e. Jesus, in case you didn't already pick up on that) better," but if that's the case, why just these four kids? What's the thematic point of this? Why were the elder kids now judged worthy of not having watery allegory poured down their throats again? What did these kids learn at the end of this film that made them better people?
ARGH again. I cannot even begin to catalogue the problems with this series, from either the internal "logic" of the series or the external logic of the human brain. Doing so only hurts my head.
Remember how I said the second film in the series lacked the ham-fisted Christian allegory of the first? Well, 20th Century Fox apparently recognized the church-going demographic was what made the first film such a success, and had them ramp up the religious content from "allegory" to "explicit yelling at the audience and rubbing its nose in it like it's a puppy who peed on the carpet." This sentiment struck me as wholly insincere, a manufactured "message" shoehorned in by a film studio who wanted nothing more than to reap the box office rewards of the first film which felt, though unsubtle, genuine in its intentions.
I've seen films more poorly shot, more poorly acted, more poorly assembled. But this boring, useless, preachy slog with no purpose or point had me at the absolute end of my rope. Rare is it that I sit in a darkened theater constantly looking at my watch, biding my time, aching for the dross on the screen to end so that I simply don't have to endure it anymore. But that's exactly what happened with this film.
Before anyone jumps on the obvious point of attack, let me say in no uncertain terms that I am Christian. But (and this is an exceptionally important point) just because a the message of a particular film/book/song/etc. is Christian doesn't make the work inherently good. Nor does criticism of the work in some way equal an anti-Christian sentiment. I often feel that works perceived as "Christian" get a free pass on quality because of their message, but quality doesn't work like that. Lowering one's standards results only in mediocre pablum like this continuing to be passed off for media conglomerates to make a quick, insincere buck. Do me a favor. If you've enjoyed these films, fine. I whole-heartedly disagree, but I'm certainly not going to tell you you're wrong for enjoying them. But I beg of you: Don't shut off the critical area of your brain just because something agrees with your worldview. Doing so is a disservice not only to yourself, but everyone else like you who has to suffer through trash like this.
Growing up in the Canada in the 70's and 80's, I fondly recall vastly enjoying an animated version of Lewis' 'The Lion, the Witch and the Wardrobe' that was presented by Kraft on CTV. Now as a father of a son, I want to see with him the contemporary versions of the books I adored in my youth, though at present I greatly prefer the craftsmanship of cinema pre-1970.
It never bothers me in the slightest, to the ire of my more obsessive-compulsive cinephilic friends, seeing films of series with complete disregard to their order (one of my friends nearly had a heart attack, when he discovered I had watched 'Spider-Man 3' without having previously watched films 1 and 2--don't even get me started about the 'Harry Potter' series...), so, especially curious about how one of my favourite contemporary directors, Michael Apted, would do in the realm of big-budget, CGI-intensive fantasy filmmaking (I expected a fish-out-of-water, like Lord Richard Attenborough helming 'A Chorus Line'), I gave this a shot.
I enjoyed this more than 'Harry Potter' films I have seen, though it does stretch things from the literary works, but unfortunately, that seems to be the way things are, since film became less about artistry and more about business (just see at Toys R Us how many possible toys you can purchase, and similar commercial off-shoots, and I don't even consider this series a major player in this sort of area, because of its Christian undertones, which really doesn't mesh perfectly with selling tons of toys, though of course the realms aren't mutually exclusive, not by any stretch of the imagination). I think that Apted did a decent job, especially considering that yes, he is a fine director, but this isn't really his cup of tea. I distinctly feel that if these films are your comfort food, you won't be disappointed. I look forward to checking out the series' two preceding entries, and, though they left an opportunity for more films, which I believe wouldn't be from Lewis' works at all, it was a nice summation at its conclusion.
Finally, it was great to see (or at the very least, hear) Tilda Swinton, Liam Neeson and Simon Pegg, they seem to be thrown in everything these days. I heartily salute their agents--they must have the very best in the business.
This time around Edmund and Lucy Pevensie, along with their pesky cousin Eustace Scrubb find themselves swallowed into a painting and on to a fantastic Narnian ship headed for the very edges of the world.
Oscar de melhor fotografia – Wikipédia a enciclopédia livre ~ O Oscar de melhor fotografia no Brasil ou Óscar de melhor cinematografia em Portugal no original em inglês Academy Award for Best Cinematography é um prêmio oferecido pela Academia de Artes e Ciências Cinematográficas desde 1929 que distingue a melhor Direção de FotografiaA partir de 1940 passaram a ser oferecidos prêmios separados para fotografia em preto e branco e
Oscar de melhor montagem – Wikipédia a enciclopédia livre ~ O Oscar de Melhor Montagem é um dos prêmios anuais da Academia de Artes e Ciências Cinematográficas AMPAS As nomeações para essa categoria estão fortemente correlacionadas com o Oscar de melhor 33 anos consecutivos de 1981 a 2013 todo vencedor de Melhor Filme também foi nomeado a Melhor Montagem e aproximadamente dois terços também venceram na categoria
Oscar de melhor banda sonora – Wikipédia a enciclopédia livre ~ One Hundred Men and a Girl – Universal Studio departamento de música Charles Previn chefe do departamento sem crédito ao compositor The Hurricane – Samuel Goldwyn Studio departamento de música Alfred Newman chefe do departamento trilha sonora de Alfred Newman
Millvina Dean – Wikipédia a enciclopédia livre ~ Família Millvina Dean nasceu em Branscombe Devon Inglaterra filha de Bertram Frank Dean e Georgette Eva Light e tinha um irmão Bertram Vere Dean 21 de maio de 1910—14 de abril de 1992Sua mãe morreu em 16 de setembro de 1975 aos 96 anos e Bertram Vere morreu aos 81 em 14 de abril de 1992 exatamente 80 anos após o Titanic ser atingido pelo iceberg
Ben Affleck – Wikipédia a enciclopédia livre ~ Affleck nasceu na Califórnia mas cedo se mudou para oito anos de idade participou numa série televisiva intitulada The Voyage of the Mimi onde conheceu Matt Damon que se tornou seu melhor amigo Estreou no cinema com o filme Laços de Família e a partir daí protagonizou filmes como Chasing Amy Procurase Amy Mallrats Barrados no Shopping Dogma Good Will Hunting
Clive Staples Lewis – Wikipédia a enciclopédia livre ~ Clive Staples Lewis comumente referido como C S Lewis Belfast 29 de novembro de 1898 — Oxford 22 de novembro de 1963 foi um professor universitário escritor romancista poeta crítico literário ensaísta e apologista cristão irlandês Durante sua carreira acadêmica foi professor e membro do Magdalen College tanto da Universidade de Oxford como da Universidade de Cambridge
Charles Darwin – Wikipédia a enciclopédia livre ~ Charles Robert Darwin nasceu em Shrewsbury Shropshire em 12 de fevereiro de 1809 em uma propriedade da família apelidada The Mount 21 22 O quinto de seis irmãos e filho do médico e investidor Robert Darwin com Susannah Darwin nome de solteira Wedgwood Charles era neto de dois proeminentes abolicionistas Erasmus Darwin por parte de pai e Josiah Wedgwood por parte de mãe
RMS Titanic – Wikipédia a enciclopédia livre ~ O RMS Titanic foi um navio de passageiros britânico operado pela White Star Line e construído pelos estaleiros da Harland and Wolff em a segunda embarcação da Classe Olympic de transatlânticos depois do RMS Olympic e seguido pelo HMHS do pelos engenheiros navais Alexander Carlisle e Thomas Andrews sua construção começou em março de 1909 e ele foi lançado
Taxi Driver – Wikipédia a enciclopédia livre ~ Taxi Driver bra Taxi Driver – Motorista de Táxi 1 é um filme americano de 1976 dirigido por Martin ScorseseO filme é estrelado por Robert de Niro e Jodie Foster Foster estava com 13 anos durante as filmagens Bernard Herrmann foi o responsável pela trilha sonora que acabou sendo a última antes de sua morte Nomeado a quatro categorias do Oscar incluindo Melhor Filme ganhou a
Edward Smith – Wikipédia a enciclopédia livre ~ Edward John Smith Hanley 27 de janeiro de 1850 – Oceano Atlântico 15 de abril de 1912 foi um marinheiro britânico mais conhecido por ter sido o oficial comandante do RMS Titanic em 1912 Criado em uma família da classe trabalhadora ele deixou a escola ainda jovem para entrar na marinha conseguiu entrar em 1880 para a White Star Line uma prestigiada companhia de navios
pelicula la monja Zoologie Eshan film kubrick r peliculas completas en español latino Erotique Tauqeer film western HDTV
720p FLA Tatiana kinépolis granada pelicula coreana Film Espionnage Natalee m film 2018 pelicula ice age Dessin Animé Elsie 3 filmweb HDTS
1440p MP4 Raees 4dx cinemex s peliculas de terror Melodramma Gigi film blanco pelicula han solo Futuriste Rengin z film song HDTS
1080p AVI Maélie 2019 cartelera, pelicula t 34 español Samouraïs Jardel x film song r pelicula rapido y furioso 8 Paradis Prajit film jumper HDRip
720p DAT Ruwen leon 1994 españa m pelicula argentina Hystérique Horatio i film di checco zalone pelicula colombiana Chrestomathie Bensaïd film x tutti HDTS
720p FLV Ortiz tenerife gantz 0 pelicula Épée Ozon film focus pelicula harry potter Dialogue Diora Mersey Television film orchestra las palmas HDTS
1440p F5150S Films AAF Lightbox Harveen 3 filmaffinity.
